Nikon FM3a Fujicolor C200

A roll of 35mm film shot with my FM3a and the 85mm 1.4ais.
Fujicolor C200 dev in CS41. DSLR scans with a D850/60mm D/Nikon ES-2. Converted with Negative Lab Pro.
Mamiya 645AFDii Kodak Portra 400 around Amsterdam

Camera: Mamiya 645AFDii
Lens: Sekor 80mm 2.8
Film: Kodak Portra 400 (shot at 320)
Dev: Cinestill CS41
Scan: Epson V850 Vuescan converted with Negative Lab Pro
Mamiya 645AFDii Fujicolor Pro400H CCK

Camera: Mamiya 645 AFDii
Lens: Sekor 80mm 2.8
Model: Cat Candy K
Film: Fujicolor Pro400H
Dev: Fotolab Kiekie
Scan and conversion: Epson V850 / Vuescan / Negative Lab Pro
Fomapan 200 4×5 with CCK

Camera: Cambo SC
Lens: Rodenstock Sironar 210mm f5.6
Film: Fomapan 200
Dev: Df96 constant agitation in Stearman press SP-445
Scan and conversion: Epson V850 / Vuescan / Negative Lab Pro
Model: Cat Candy K
Mamiya RZ Kodak Tri-X 400 Df96

Just a few shots I took to test home developing of a 120 roll with Cinestill Df96
Cambo SC 4×5 / Ilford HP5

Camera: Cambo SC view camera
Lens: 210mm f5.6 Rhodenstock
Film: Ilford HP5 sheet film
Dev: Cinestill Df96 monobath / Stearman SP-445
Scans: Epson V850
Second analog shoot with Esther in Amsterdam

It’s been a while since I wrote something about a shoot, besides just posting the photos. But as part of my “experiments with film” – I figured I should. If only so I can remember what I did when I’m shooting next. But also because I do enjoy reading other people’s write-ups about their experiences with film and scanning. And perhaps sharing the details of how I go about scanning my negatives helps others (details at the bottom of this page).