Still life on large format Fomapan 200
Experimenting out of my comfort zone with still life on large format film
Mamiya 645AFDii Kodak Portra 400 around Amsterdam
Camera: Mamiya 645AFDii
Lens: Sekor 80mm 2.8
Film: Kodak Portra 400 (shot at 320)
Dev: Cinestill CS41
Scan: Epson V850 Vuescan converted with Negative Lab Pro
Mamiya 645AFDii Fujicolor Pro400H CCK
Camera: Mamiya 645 AFDii
Lens: Sekor 80mm 2.8
Model: Cat Candy K
Film: Fujicolor Pro400H
Dev: Fotolab Kiekie
Scan and conversion: Epson V850 / Vuescan / Negative Lab Pro
Fomapan 200 4×5 with CCK
Camera: Cambo SC
Lens: Rodenstock Sironar 210mm f5.6
Film: Fomapan 200
Dev: Df96 constant agitation in Stearman press SP-445
Scan and conversion: Epson V850 / Vuescan / Negative Lab Pro
Model: Cat Candy K
Cat Candy K – Mamiya AFDii C220 RZ
Film shoot with Cat.
IG Cat: https://www.instagram.com/catcandy_k_/
IG Martin: https://www.instagram.com/martinwilmsenphoto/
Film: Ilford HP5 400, Kodak Tri-X 400, Lomography Color 400, Ektar 100, Kodak Portra 160
Gear: Mamiya AFDii, Mamiya C220, Mamiya RZ Pro II
Mamiya RZ Pro II / Ilford HP5 in Df96
Camera: Mamiya RZ Pro II
Lens: 127mm 3.8 and 110mm 2.8
Film: Ilford HP5
Development: Cinestill Df96
Nikon FM3a / Ilford HP5 / Df96
Gear: Nikon FM3a
Lenses: 50mm 1.4ais / 135mm 2.8ais
Film: Ilford HP5 35mm
Development: Cinestill Df96 @ 24 Celcius intermittent agitation
Mamiya RZ Kodak Tri-X 400 Df96
Just a few shots I took to test home developing of a 120 roll with Cinestill Df96
Cambo SC 4×5 / Ilford HP5
Camera: Cambo SC view camera
Lens: 210mm f5.6 Rhodenstock
Film: Ilford HP5 sheet film
Dev: Cinestill Df96 monobath / Stearman SP-445
Scans: Epson V850
Nikon FM3a Portra 160 studio
Camera: Nikon FM3a
Lens: Nikkor 105mm 2.5
Film: Kodak Portra 160
Light: Rotalux 150 camera left, gridded dish on backdrop, Skyport trigger
HM on film
Model: HM
Gear: Pentax 67ii, Mamiya 645AFD, Nikon FM3a
Film: Kodak Ektar 100, Portra 160, Portra 400, Ultramax 400, Tri-X 400
Location: Amsterdam
Second analog shoot with Esther in Amsterdam
It’s been a while since I wrote something about a shoot, besides just posting the photos. But as part of my “experiments with film” – I figured I should. If only so I can remember what I did when I’m shooting next. But also because I do enjoy reading other people’s write-ups about their experiences with film and scanning. And perhaps sharing the details of how I go about scanning my negatives helps others (details at the bottom of this page).
